![billy elliot boston billy elliot boston](https://i.ytimg.com/vi/ysBHJGglKps/maxresdefault.jpg)
![billy elliot boston billy elliot boston](https://www.billyelliot.es/wp-content/uploads/2017/11/billy_elliot_escena_29_javier_naval-1.jpg)
![billy elliot boston billy elliot boston](http://2.bp.blogspot.com/-K8fkYtXP6PE/UBR_a9Id5AI/AAAAAAAAQ-4/gvhuQe8xE_E/w950/billy+elliot+in+boston.jpg)
Singleton has all of Grandma’s emotional strength - particularly in “Grandma’s Song.” Aimee Doherty is a proper powerhouse as feisty Mrs. Shane Boucher catches gay best friend Michael’s touching feeling for Billy and his adventurousness dressing up in women’s clothes with Billy in a moment of exuberance in the charming number “Expressing Yourself.” Cheryl D.
#Billy elliot boston professional#
Troilo makes the older brother’s tirade about the professional troubles of miners like himself singularly chilling. Jared Troilo makes the most of his brother Tony’s own transformation from frustrated angry man to encouraging sibling.
#Billy elliot boston full#
Texas eighth grader Seth Judice captures Billy’s love of dance as well as his growing pains and rage at often being misunderstood by his father – especially in “Angry Dance.” Neil Gustafson as Dad convincingly moves from cluelessness about Billy’s aspirations to full support. The Wheelock cast are equally determined. Under returning co-founder Susan Kosoff’s strong direction, this combination rite of passage odyssey and family unity show shines as luminously as the passionate high caliber dance moves which tenacious teacher Mrs. Wheelock’s trademark use of aisles and the extensive area between orchestra and mezzanine sharply includes all theatergoers in the ups and downs of the show’s characters. Texas eighth grader Seth Judice and Arlington senior and Cambridge Youth Dance Program trainee Will Christmann display strong technique in this eye-catching dream sequence.Įqually show-stopping is the anthem-like number “Solidarity!” that interweaves miners, dance class students and the put-upon police in an unlikely but brilliant tapestry - a singular metaphor for the interconnectedness of the town and by extension all humanity. Choreographer Laurel Conrad and choreographic consultant Rachel Bertone vividly capture Billy’s soaring dance aspirations in the musical’s memorable excerpt from “Swan Lake” that couples younger Billy’s passion and Older Billy’s future achievement. Lazure’s scenic design smartly captures the town’s austerity and contrasting locations. In movement, students, miners and police crisscross and even dance together in a beautiful visual reminder that what happens to the town’s adults has consequences for the town’s children and vice versa.Īt the same time, some apparent adversaries – most notably Billy, his father and his brother – gradually reach moving moments of understanding where Billy’s possibility of training at the Royal Ballet School is concerned. Wilkinson’s dance space, the miners’ meeting place, among others – move in and out repeatedly. As in the Broadway edition, the set pieces – the Elliot’s kitchen and Billy’s small quarters above, Mrs. If many of these situations sound strikingly familiar with Trump as President, all of them come in to play in Lee Hall’s book and lyrics for the acclaimed musical “Billy Elliot.” Now Wheelock Family Theatre’s very fresh revival has brought a welcome new intimacy to this still-resonating call for acceptance and understanding.įans of the Tony Award-winning Hall-Elton John musical know that the situations in question are set in 1984 Great Britain with Margaret Thatcher as Prime Minister.
![billy elliot boston billy elliot boston](https://www.bostonherald.com/wp-content/uploads/migration/2012/08/15/b98608_NoahParet.jpg)
Miners fight for respect and a decent life while a national leader seems oblivious to the needs and concerns of working class citizens. Both struggle with poverty and stereotypes as formidable as growing pains. One boy has a passion for dance, and his gay best friend enjoys putting on his sister’s clothes. The enduring tale of struggle with poverty and stereotypes gets a fresh revival.īilly Elliot, Wheelock Family Theatre, Boston, through February 26.